Kellndorfer Casa de Vidro
Foto: Nasjonalmuseet / Børre Høstland

Finissage: «Casa de Vidro. Lina Bo Bardi in dialogue with Sverre Fehn»

14. mai 2017

The National Museum – Architecture

Welcome to the closing event for the exhibition  “Casa de Vidro. Lina Bo Bardi in Dialogue with Sverre Fehn” and presentation of the Architecture Yearbook 2016/17!

To mark the last day of “Casa de Vidro”, we have invited Jan Maruhn, art historian and director of the Berlin Sculpture Workshop, and artists Veronika Kellndorfer, Michael Wesely and Knut Åsdam to discuss the examination of architecture and urban structures in the visual arts.

On the same occasion, we will present the brand new Architecture Yearbook 2016/17, with a focus on modernist glass houses including contributions by Jan Maruhn on Mies van der Rohe’s Villa Tugendhat and Markus Richter on Bo Bardi’s Casa de Vidro and Norwegian glass houses.


  • 12.15–12.30: Presentation of the Architecture Yearbook by editors Nina Berre and Markus Richter
  • 12.30–13.30: Conversation between art historian Jan Maruhn and artist Michael Wesely
  • 14.00–15.00: Guided tour through the exhibitions “Casa de Vidro” and “The Norwegian Glasshouse” with the curators Markus Richter and Talette Rørvik Simonsen
  • 15.30–16.00: Round table discussion with Veronika Kellndorfer, Michael Wesely, Knut Åsdam, Jan Maruhn and Markus Richter

The exhibition presents Lina Bo Bardi’s glasshouse in São Paulo, Casa de Vidro (1950–52), inside Sverre Fehn’s glass pavilion (1997–2008). It encompasses a dialogue between the architectural idioms of Bo Bardi and Fehn and the visual language of artist Veronika Kellndorfer. The National Museum commissioned the Berlin-based artist to reflect Bo Bardi’s Casa de Vidro in a new installation created especially for Fehn’s glass pavilion. Kellndorfer employs transformed and rasterized photographs of the building, which are silkscreened onto huge glass sheets, creating a representation of the house that is at once spectral and painterly.

The dialogue extends into the display elements used in the exhibition: We combine Bo Bardi’s iconic glass easels, developed for the presentation of paintings in the Museu de Arte de São Paulo (MASP), with the modular wall elements that Fehn designed for the National Museum – Architecture.

Zambia World Bank Education Project. Arkitekt: Gunnar Hyll. Schools all over Zambia 1971–1978. Foto: Mette Tronvoll (2014)

International workshop: "Forms of Freedom. Legacies of African Modernism"

26. mars 2015–27. mars 2015

National Museum – Architecture

Welcome to this international workshop on modernist architecture in Africa, in collaboration with Institute of Social Anthropology, University of Oslo.    

Register now!

Bold lines of modernist architecture and urban planning endure in contemporary African landscapes. From 1940s to 1970s, material and aesthetic forms of colonial and national development were laid down in a proliferation of schools, universities, laboratories, hospitals, public housing and government buildings; and in new urban designs, along the roads, pipes, drains and ditches of expanded transport and sanitary infrastructures.

Traces of the modernist dream have in many places been erased or worn down by decay, in others restored or renewed. They stand as ambivalent temporal signals, pointing forward but also to promises of progress that appear blocked, utopic or obsolete, or which must instead be preserved and reactivated. In the past decade, this older strata of the landscape has, across Africa, been modulated by a renewed wave of construction and design and its aesthetic of promise that is seductive but also illusory even obscene.

Our workshop will discuss this heterogeneous legacy - of monumental public buildings and minor functional constructions, of iconic academic architecture and invisible infrastructures and plans – intertwining past, present and future – promise, decay and resurrection. Looking both at the origins and visions of past building and planning, and the contemporary use and effect of edifices, ruins and remains, and combining perspectives from anthropology, architectural history and history of science, we pursue the double aim of shedding light on Africa’s global architectural past, and enhancing our understanding of contemporary Africa’s architectural and temporal palimpsest.

The symposium is collaboration between Department of Anthropology at the University of Oslo, and The National Museum of Art, Architecture and Design, curator and producer of the exhibition “Forms of Freedom. African Independence and Nordic Models”, the Nordic contribution to the Architecture Biennale in Venice 2014.

The exhibition focuses on Nordic architects working in Tanzania, Kenya, and Zambia in the 1960 and 70ss. The liberation of these East African countries coincided with the founding of state development aid in the Nordic countries, where there was widespread belief that the social democratic model could be exported, translated, and used for nation-building, modernization and welfare in Africa. During a few intense years in the 60s and 70s, Nordic architects contributed to the rapid process of modernization in this part of Africa. 

In collaboration with Department of Anthropology, University of Oslo. With Antoni Folkers, Kunlé Adeyemi

Please check later for the detailed schedule of the program.

Coffee/tea and light lunch is served. 

NOK 300,- (students 150,-)


Conference Abstracts

Confirmed speakers

Kunlé Adeyemi, architect, Lagos / Amsterdam
Tom Anyamba, architect/professor, Nairobi
Karl Otto Ellefsen, architect/professor, Oslo
Sven Erik Svendsen, architect/professor, Oslo
Antoni Folkers, architect, Amsterdam
Haim Yacobi, Negev University
Patience Mususa, Cape Town
Lukacz Stanek, Manchester
Ruth Prince, University of Oslo
Lydia Muthuma, Nairobi
Guillaume Lachenal, Paris 7
John Manton, Cambridge
Johan Lagae, Ghent
Manuel Herz, ETH Zürich / Basel
Filip de Boek, Leuwen
Nina Berre, National Museum
Paul Wenzel Geissler, University of Oslo
Peter Makachia, Nairobi 

The young researchers forum

Rune Espeland, UIO
Ida Grøvik, UIO
Erik Anfinsen, UIO
Constance Smith, UCL
Tim Livsey, LSE
Kim De Raedt, Ghent