Room 4 - Sound productions

Mardi 8

Sound Design: Reno Isaac

Sound Mixer: Elias Arias

Project Managers: Clothilde Lepas and Montse Cerdan

Producer: Youenn Le Guen 
 

The National Museum

Curator Learning: Helga Gravermoen

Curators: Inger Helene Stemshaug, Knut Astrup Bull and Anne Simonnæs

Editors: Klaus Kottmann, Eilif Salemonsen and Hilde Areng Skaara

Project Manager: Marianne Moe

Music

‘Cuncti simus concanentes’. Ensemble Millenarium and Choeur de Chambre de Namur. Love, Revelry and the Dance in Mediæval Music, 2013 © Ricercar / Outhere music

Guillaume de Machaut: ‘Je vivroie liement’. Pierre Hamon and Brigitte Lesne. Medieval Bagpipe and Percussions, Dictionary of Medieval and Renaissance Instruments, 2002 © Cantus Records

Jan Pieterszoon Sweelinck: ‘Toccata in A Minor’. Gavin Black. Harpsichord Music (Gavin Black), 2005 © Centaur Records Inc.

Jan Pieterszoon Sweelinck: Te Deum laudamus, SwWV 187. Harry van der Kamp and Gesualdo Consort Amsterdam. Cantiones sacrae, 2001 © Glossa / NOTE 1

Heinrich Isaac: ‘La morra (Instrumental)’ and ‘Motet instrumental (Duc de Ferrara): La Mi La Sol’. La Capella Reial de Catalunya and Hesperion XXI, Jordi Savall. Henricus Isaac, 2017 © Alia Vox

Michael Praetorius (composition) and David Fallis (arrangement): ‘Les Gavottes’. The Toronto Consort. The Little Barley-Corne: Christmas Revels, 1999 © Marquis Classics

Christopher Tye: ‘In Nomine No. 20, “Crye”’. The Rose Consort of Viols and Catherine King. Elizabethan Songs and Consort Music, 1989 © Naxos

Michael Praetorius (composition) and Jan Sandström (arrangement): ‘Es ist ein Ros entsprungen’. Bavarian Radio Chorus. Advent and Christmas Songs, 2005 © Naxos

John Dunstable (composition) and Margaret Bent (arrangement): ‘Sanctus, JD 6’. Tonus Peregrinus. Quam pulchra es / Veni Sancte Spiritus / Mass Movements, 2005 © Naxos