The Scream (audio description)

Edvard Munch
3 min
Year: 1893



The Scream  

Artist: Edvard Munch 

Year: 1893 

The work is made with tempera paint and grease pencil on plate. It is ninety-one centimeters high and seventy-five centimeters wide. In the middle of the motif is a human standing by a railing, simplified, who grabs around his own face with his hands and screams. The sky above the subject is dramatic in red and orange tones. On the horizon, ships can be seen on a dark, blue-green fjord, and by the railing where the main character stands, two people walk in the background. 


In an entry in his notebook, dated 22nd of January 1892, Edvard Munch described a powerful experience: 


“I was walking along the road with two friends – the sun was setting – I felt a breath of melancholy – Suddenly the sky turned blood-red – I stopped and leaned against the fence, tired to death – looking out across the flaming clouds, like blood hovering over the blue-black fjord and city – My friends walked on – I stood there quaking with dread – and I felt a great, unending scream through nature.”  


The experience Munch describes here is the starting point for the painting in front of you.  

The blood-red lines in the painting have been compared with soundwaves, as though Munch was trying to paint the sound of a scream through nature. 

The distorted, despairing figure who meets us in The Scream is universal and genderless, allowing everyone, regardless of age, gender, or background, to identify with it. The image hits something universal, but simultaneously unique.   

The Scream is one of the world’s most famous artworks, and has become a universal symbol of anxiety and fear. You can find the image everywhere from fridge magnets to horror movies, and it even numbers among the very few artworks that have their own emojis. More than 100 years after Munch had his overwhelming experience, millions of people use the icon he created to express anxiety when communicating.  

Munch made several different versions of The Scream. He made the version that hangs here at the National Museum in 1893, and it is considered to be the very first. It was made with tempera paint and wax crayon on cardboard, which is now so fragile that the lighting in this room has to be kept dim, to prevent the painting from disintegrating.