Object type: Painting
Portrait Study of the Painter Anselm Feuerbach
- Artist: Thomas Couture
- Creation date: Ca. 1853
About
- Creation date:
- Ca. 1853
- Other titles:
- Figurstudie av maleren Anselm Feuerbach (NOR)
- Object type:
- Painting
- Materials and techniques:
- Olje på lerret
- Material:
- Canvas
- Dimensions:
- Width: 73.5 cm
- Height: 91.5 cm
- Depth: 2 cm
- Keywords:
- Visual art
- Classification:
- 532 - Bildende kunst
- Motif - type:
- Figure study, Portrait
- Motif - person:
- Feuerbach, Anselm (depicted person)
- Inventory no.:
- NG.M.00718
- Cataloguing level:
- Single object
- Acquisition:
- Kjøpt 1888
- Owner and collection:
- Nasjonalmuseet for kunst, arkitektur og design, The Fine Art Collections
- Photo:
- Anne Hansteen
- Østby, Leif, red. Katalog over utenlandsk malerkunst : med 153 illustrasjoner. Oslo: Nasjonalgalleriet, 1973. 207; kat.nr. 489
- Messel, Nils. Franske forbindelser: Kunst, kapital og konjunkturer i Norge rundt 1. verdenskrig. Oslo: Messel Forlag, 2016. 23–5
- Jamot, Paul. «L’art français en Norvège». La Renaissance 2, nr. 2 (1929): 69–106. 85
- Franske malere: 56 reproduksjoner. Oslo: Nasjonalgalleriet, 1959. 19
- Willoch, Sigurd. «Nasjonalgalleriets Couture-billede: Et portrett av Feuerbach». Kunst og kultur 20 (1934): 205–8.
- Thommessen, Rolf. Katalog over nyere maleres og billedhuggeres værker: 1800-1907. Kristiania: Fabritius, 1907. 52
- Uhde-Bernays, Hermann. Feuerbach: des Meisters Gemälde in 200 Abbildungen. Klassiker der Kunst in Gesamtausgaben. Stuttgart: Deutsche Verlags-Anstalt, 1913.
- Kjellin, Helge. Uno Troili: II. Stockholm: P.A. Norstedt, 1917. 19
- Mauclair, Camille, et al. Thomas Couture: sa vie, son oeuvre, son caractère, ses idées, sa méthode. Paris: Le Garrec, 1932. 81
- Uhde-Bernays, Hermann. Im Lichte der Freiheit: Erinnerungen aus den Jahren 1880 bis 1914. München: Insel Verlag, 1947. 491
- Finckh, Gerhard, red. Edouard Manet. Wuppertal: Von der Heydt-Museum, 2017. 132 (ill.)
Nasjonalmuseet's collection catalogue is a living resource of information gathered since the 1830's. Some records may contain language or ideas that today could be perceived as outdated, offensive or discriminatory with regard to for instance gender, sexuality, ethnicity or disability, and that may be at odds with the museum's values regarding equality and diversity.
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