Anawana Haloba. Jeg vil si deg noe

14. november 2025-19. april 2026 

Bøker og utstillingskataloger 

• African artists: From 1882 to now. London : Phaidon, 2021.
• Ahmed, Sara. Living a feminist life. Durham : Duke University Press, 2017.
• Ahmed, Sara. What's the Use?: On the Uses of Use. Durham : Duke University Press, 2019.
• Anawana Haloba 14.11.25-19.4.26 : jeg vil si deg noe = I want to tell you something. Oslo : Nasjonalmuseet, 2025. Utstillingskatalog.
• Arendt, Hannah. Eichmann in Jerusalem: A report on the banality of evil. London : Penguin Books, 2022.
• Arendt, Hannah. The origins of totalitarianism. New York : Schocken Books, 2004.
• Baldwin, James. I am not your negro: A major motion picture directed by Raoul Peck. New York : Vintage Books, 2017.
• La Biennale di Venezia: Making worlds = Fare mondi. Venezia : Marsilio, 2008. Utstillingskatalog.
• Biennale of Sydney 2008: Revolutions: Forms that turns. Sydney : Biennale of Sydney, 2008. Utstillingskatalog.
• Budak, Adam, red. Manifesta 7: Scenarios. Milano : Silvana Editoriale, 2008. Utstillingskatalog.
• Bulawayo, NoViolet. Glory. London : Vintage, 2023.
• Camt, Tina M. A black gaze: Artists changing how we see. Cambridge : The MIT Press, 2021.
• Capecia, Mayotte. I am a Martinican woman & The white negress: Two novelettes. Pueblo, Colo. : Passeggiata Press, 1997.
• Dangarembga, Tsitsi. Black and female. London : Faber & Faber, 2022.
• Enwezor, Okwui og Chika Okeke-Agulu. Contemporary African art since 1980. Bologna : Damiani, 2009.  
• Esquivel, Itzel, Anawana Haloba og Gala Berger, red. Voicing out silences. Oslo : Assata press, 2024.
• Fanon, Frantz. Alientation and freedom. London : Bloomsbury Academic, 2018.
• Fanon, Frantz. Black skin, white masks. London : Pluto Press, 1986.
• Fanon, Frantz. A dying colonialism. New York : Grove Press, 1967.
• Fanon, Frantz. Toward the African revolution: Political essays. New York : Grove Press, 1967.
• Fanon, Frantz. The wretched of the earth. New York : Grove Press, 1965.
• Gibson, Nigel C. Fanon: The postcolonial imagination. Cambridge : Polity, 2003. 
• Glissant, Édouard. Poetics of relation. Michigan : University of Michigan Press, 2024.
• Haraway, Donna J. A cyborg manifesto: science, technology, and socialist-feminism in the late twentieth century. Minneapolis : University of Minnesota Press, 2016.
• Head, Bessie. When rain clouds gather & Maru. London : Virago Press, 2010.
• James, Joy og T. Denean Sharpley-Whiting, red. The black feminist reader. Oxford : Blackwell, 2006.
• Jenssen, Jens R. og Bjarne Våga, red. Statoil art award 2009. Stavanger : Statoil, 2009. Utstillingskatalog.
• Kouoh, Koyo, red. When we see us: A century of black figuration in painting. London : Thames and Hudson, 2022.
• Lee, Christopher J., red. Making a world after emoire: The Bandung moment and its political afterlives. Athens, Ohio : Ohio University Press, 2019.
• Liyong, Taban Lo. Another nigger dead: Poems. London : Heinemann Educatioal, 1972.
• Logendran, Abirami, red. Norsk kunstårbok 2024. Oslo : Uten tittel, 2024.
• Marechera, Dambudzo. Black sunlight. Johannesburg : Penguin, 2009.
• Mbembe, Achille. Critique of black reason. Durham : Duke University Press, 2017.
• Moten, Fred. Stolen life. Durham : Duke University Press, 2018.
• Moten, Fred. The universal machine. Durham : Duke University Press, 2018.
• Sarr, Felwine. Afrotopia. Minneapolis : University of Minnesota Press, 2020.
• Serpell, Namwali. The furrows: An elegy. London : Vintage, 2023.
• Serpell, Namwali. The old drift. London : Vintage, 2020.
• Sharpley-Whiting, T. Denean. Frantz Fanon: Conflicts & feminisms. Lanham, Maryland : Rowman & Littlefield, 1998.
• Sontag, Susan. Om kvinner. Oslo : Existenz forl., 2024.
• Tutuola, Amos. The palm-wine drinkard and his dead palm-wine tapster in the dead’s town. London : Faber & Faber, 2014.

Artikler

• “53rd Venice biennale: Artists’ special projects”. Flash Art, nr. 266 (2009): 94-101.
• Boecker, Susanne. “Hauptausstellung II: Arsenale Kurator: Daniel Birnbaum». Kunstforum International, nr. 198 (2009): 122-167.
• Breivik, Andreas. 2018. «Postkolonial språkvask». Hentet 12. november 2025.
• Haloba, Anawana. “On African opera: A conversation with Anawana Haloba”. Afterall, nr. 1 (2022): 102-115.
• “Die Melancholie des Schöpferischen: Daniel Birnbaum zeigt dem Biennale-Besucher, was der schon vergessen glaubte: die durchaus erträgliche Leichtigkeit der Kunst Ein Versuch, die unterschiedlichen Fäden formaler und inhaltlicher Zusammenhänge nachzuziehen”. Kunstforum International, nr. 198 (2009): 38-57.
• Røed, Kjetil. 2011. «Jaukkuris uklare metode». Hentet 12. november 2025.
• Stooke, Andrew J. “14th Lyon biennale: Floating worlds”. Art monthly, nr. 412 (2017): 23-24.
• Storr, Robert. “Near and far: On Dak’Art 2006”. Artforum, nr. 2 (2006): 91-92.
• Taylor, Jessica Lauren Elizabeth. 2021. “What can art do? … and other investigations with Anawana Haloba”. Hentet 12. november 2025.
• Vetrocq, Marcia E. “Worlds enough, and time: Daniel Birnbaum’s biennale”. Art in America, nr. 8 (2009): 96-103.
• Wilson-Goldie, Kaelen. “Sharjah Biennial 8: Still life, various venues”. Artforum International, nr. 1 (2007): 488.
• Ørslien, Line Ruud. “Vil forstå verden”. Billedkunst, nr. 3 (2009): 2.